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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク João César Monteiro ： ウィキペディア英語版 João César Monteiro João César Monteiro was a Portuguese film director, actor, writer and film critic. He was born in Figueira da Foz on February 2, 1939 and died of cancer in Lisbon on February 3, 2003. == Life and career == João César Monteiro was born into a family with anti-clerical and anti-fascist ideals. His family moved to Lisbon when Monteiro was 15 years old to enable him to continue his studies. In 1963, with a grant from the Calouste Gulbenkian Foundation, Monteiro traveled to Great Britain to study at the London School of Film Technique. In 1965 in Portugal, he began work on his first film, ''Quem Espera por Sapatos de Defunto Morre Descalço'' (Who Waits for the Deceased's Shoes Dies Barefoot), which would not be finished for five years due to financial problems. At the same time, he made the short documentary "Sophia de Mello Breyner Andresen", about the Portuguese poet. Monteiro also wrote film criticism for periodicals like ''Imagem'', ''Diário de Lisboa'' and ''O Século''. His first feature film was ''Fragmentos de um Filme Esmola: A Sagrada Família'' (1972). In 1982 he made ''Silvestre'' an adaptation of traditional Portuguese folk stories. ''Silvestre'' was shown at the Venice Film Festival and was an important step in his international recognition. ''À Flor do Mar'' (1986), featuring Laura Morante, was shown at the Salsomaggiore Film Festival, where it won the Special Jury Prize. Monteiro returned to the Venice Film Festival in 1989 with ''Recordações da Casa Amarela'' (Silver Lion), a film that marked the introduction of the character João de Deus. In 1992 he made ''O Último Mergulho - esboço de filme'', featuring Fabienne Babbe. ''A Comédia de Deus'' (Venice Film Festival, 1995), ''As Bodas de Deus'' (1999 Cannes Film Festival),〔(【引用サイトリンク】title=Festival de Cannes: As Bodas de Deus )〕 ''Branca de Neve'' (Venice Film Festival, 2000) and ''Vai~E~Vem '' (Cannes Film Festival, 2003) were his last works. ''Branca de Neve'' (Snow White) was highly controversial because much of the film consists of a black screen, although a densely composed audio track plays throughout. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「João César Monteiro」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.